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Introducing Bob Schmertz
I was raised on the songs of Robert Watson Schmertz. Many others of my baby
boomer generation in Pittsburgh, Pennsylvania can say the same. Bob cut a wide
swath through the town, collecting friends and fellow artists wherever he went.
In the early 1950’s my father was head of the architecture department at
Carnegie Institute of Technology (now Carnegie Mellon University) and a
colleague of Bob Schmertz. Our family lived in faculty housing across Forbes
Avenue from the C.I.T. campus and our first floor apartment was a gathering
place for fellow professors at the end of many a day. Bob never went anywhere
without his banjo and when he stopped in to visit my parents my brothers and I
always waylaid him in the house’s large common vestibule. He would sit with us
on the long oak bench and begin to play his repertoire of children’s songs.
The banjo echoed up the stairwell and the two Pekruhn kids on the second floor
(another architect family) would run down to join the chorus until the grown-ups
dragged Bob away with them for martinis, cigarettes, and boring faculty
politics.
The annual Schmertz Christmas parties were legendary. Bob on the banjo, his
own family members, fellow musicians and friends joined the inevitable musical
extravaganza. And all the kids came along with their parents to be underfoot and
under piano and generally adding to the raucous atmosphere.
I have no doubt that those other Schmertz-inoculated boomer babies did the
same thing as my brothers and I when we went out into the world; we carried with
us cassettes copied from our parents’ overplayed Schmertz albums, scratchy
pops and clicks with the addition of the tape recorder’s hiss. I presume that
those fellow Schmertz-o-holics have passed along Bob’s music to their own
children, singing Angus MacFergus and Quack Quack Paddle-Oh as
bedtime lullabies.
The topics of Bob’s songs and poems encompass his varied passions:
architecture, history, river lore, religious subjects, creatures great and small
… all seen through his unique prism reflecting the comedy and tragedy of the
human condition.
Now that we are in the 21st century and a fifth generation is
appearing on the horizon, it seems a shame that only the original group of
people who bought his albums and Songbook can enjoy and pass along Bob Schmertz’s
joy of music and his talent with words.
Ann Shear
Designer, Webmaster, and Supergroupie

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